^ DTM CC C f,nfi''"iK all orders is always a feature of our busineas. 
fir I 11 LOO h^ta'oK'iessentfreek Any Play. Dialogue Book,Si)eaker, 
OC e-^E 1. ,. - *i!il2^P'iiIl'_ji 'KS ind Beards— in fact anythin* y»u 

PS 635 be sent by AMES' PUBLISHING CO., Clyde, Ohio. 



.Z9 



E5335 \QL^ AMES' series of ^ 

Copy 1 TANDARD AND MINOR DRAMA, 

S^ No. 277. 

Z9 t _^ 



The Musical Captain 



«'fl'=5 



—OR— 



The Tall of Vicksburg. 



{MILITARY DRAMA.) 



riTH CAST OP CHARACTKR3, KNTRANCE3, AND BXITB, KEt.ATITR POSITIONS OF 

THE PKUFORMKRS ON THE STAGE, DESCRIPTION OF COSTUMES AND 

THE WHOLE OF THE STAGE bUSINESS, CARRFULLT 

MARKED FROM THE MOST APPROVED 

ACTING COPT. 



PRICE 25 CENTS. 



^ 



CLYDE, OHIO: 

AMES' PUBLISHING CO, 



No goods sent C. 0. D. Payment MUST accompany all orders. 



y ALPHABETIGAL LIST DF ^ 

-ZimEs' Edition of Plays. 

■*■ — s^e--* — -*■ 

FIFTEEN CENTS EACH UNLESS OTHERWISE MARKED. 



NO. 

2 

39 
4.3 

im 

12.5 

m 
ii.j 

22<) 
U 

\m 

161 

PO 

152 

173 

143 

176 

102 

2,55 

117 

2()7 

52 

75 

141 

26 

191 

m 

3 

9 

261 

46 

22: 

211 

2.">l 

163 

91 

34 

229 

22:1 

81 

85 

83 

196 

29 

18 

10 

45 

79 

144 

67 

97 

119 

242 

92 

112 

71 

105 

3t. 



DRAMAS. 

A Desperate Giiiue 3 2 

After Ten i'eiirs 7 5 

A Lifu'n KeveriKO 7 5 

Arrah do BautrH 7 5 

Aurora Floyd 7 2 

Auld Kobin Gray 2.5c „ 13 8 

Beiiuty of Lyons 11 2 

IJill Detrick 7 3 

IJrac, tiie Poor llouso Girl.... 4 4 

Brigaiidii of Calabria 6 1 

Coiini or. Love's Victory 11 3 

Dora 5 2 

Driven to the Wall 10 3 

Driven from Home 7 4 

East Lynne 8 7 

Emigrant's Daughter 8 3 

Factory Girl 6 3 

Fielding Manor 9 6 

Gertie';' Vindication 3 3 

Hal Hazard, 2.5c 10 3 

Heroic Dutchman of '70 8 3 

Henrv Granden 11 8 

How He Did It 3 2 

Iliddon Treasures 4 2 

Hunter of the Alps 9 4 

Hidden Hand 15 7 

Lights and Shadows ot the 

Great Rebellion, 25c 10 5 

Lady of Lyons...,. 12 5 

Lady Audley's becret 6 4 

Lost in London 6 4 

Man ami Wife 12 7 

Maud's Peril 5 3 

Midnight Mistake 6 2 

Millie, the C^uadrnon 4 I 

Miriam's Crune 5 2 

Michael Eric 8 3 

MillerofDcrwent Water 5 2 

Mistletoe Bough 7 3 

Mountebanks (The) 6 2 

Old llonesry 5 2 

01<1 Phi 's Birthday.„ 5 3 

Outcast's Wife 12 3 

Out on the Woj Id 5 4 

Oath Bound 6 2 

Painter of Ghent 5 3 

Poachf^r's Doom 8 3 

Reverses - 12 6 

Rock Allen 5 3 

Spv of Atlanta, 2.5c 14 3 

Thekla 9 4 

The F.ilse Friend 6 1 

The Fatal Blow 7 1 

The Korty-Niners 10 4 

The Dutch R->cruU 2=^c 14 3 

The <!ontliMnan in Black 9 4 

The New Miigdalen 8 3 

The Reward of Crime 5 3 

Through Snow and Sunshine 6 4 



NO. u. r. 

7 The Vow of the Omani 7 1 

201 Ticket of Leave Man 9 3 

193 Toodles 7 2 

2H0 Uncle Toui'.s Cabin 15 7 

121 Will-o'-the-Wisi 9 4 

41 Won at Liist 7 3 

192 Ziou 7 4 

TEMPERANCE PLAYS. 

73 At Lsust 7 1 

75 Adrift 5 4 

187 Aunt l^iuah's I'Icilge fi 3 

2.54 Dot; the ^liner's Daughter... 9 5 

2>2 Drunkard [The] 13 5 

18-5 Drurikar.'s Warning 6 3 

189 Drunkard's Doom 15 6 

181 Fifteen Veiirs of a Drunk- 
ard's Life 13 4 

183 Fruita of the Wine Cap ti 3 

104 Lost 6 2 

14*) Our Awlul Aunt 4 4 

5.3 Out in the Streets 6 4 

51 Rescued _ 5 3 

.59 .Saved 2 3 

102 Turn of the Tide 7 4 

6;i Three Gla.-^so.s a Day 4 2 

62 Ten Nights in a Bar-Room... 7 3 

58 Wrecked _ 9 3 

COMEDIES. 

168 A Pleasure Trip _7 3 

136 A Legal Holiday 5 3 

124 An Afflicted Family 7 5 

2.57 t'augut in the Act 7 3 

248 Captured H 4 

178 Caste 5 3 

U»9 Home 4 3 

174 Love's Labor Not Lost 3 3 

149 New Years in N. Y 7 6 

37 Not So Bad After All „ 6 5 

2.(7 Not Such a F.iol as He Looks 6 3 

126 Our Daughters 8 6 

114 Passions 8 4 

219 Rags and Bottles 4 1 

239 Scale with Sharps »ud Flats- 3 2 

221 Solon Shingle 14 2 

87 The Biter Bit 3 2 

Tria $2,000. Reward 2 

TRAGEDIES. 

16 The Serf -6 3 

FARCES AND COMEDIETTAS. 

12i( Anr-u-ng-oos 2 1 

1.32 Actor and Servant 1 1 

12 A Capital Match 3 2 

16(5 ATe.xan Mother-in-Law 4 6 

■.M A Dav Well Spent- 7 5 

169 A Regular Fix 2 4 

SO Alarmingly Suspicious 4 3 

78 An Awful Criminal 3 3 



The Musical Captain 

OR; THE 

Fall of Vicksburg, 

A DRAMA 

OF THE LATE REBELLION. 

IN FOUR ACTS: 

BY 

Uk, Burt EniBrsnni 




TO WHICH IS ADDED 

A PESCRirTION OF THE COSTUMES— CAST OF THE CHARACTERS- 
ENTRANCES AND EXITS— RELATIVE POSITIONS OF THE 
PERFORMERS ON THE STAGE, AND THE WHOLE 
OF THE STAGE BUSINESS. 



-0 



Lvttreil accorclinp to act of Congress in the year 1890, b]f 

AMES' PUBLISHING CO. 

it. til ojj'cc of tie Lilravian of Conyrcss at Washingtoth 

CLYDE, OHIO : 

AMES' PUBLISHING CO. 



THE MUSICAL CAPTATN, /} ^ 

CAST OF chahactehs. ^ ,1r 

Pat'i. Parkkr The musical captain, 

Wji.i.if. Pahkicr The little drnmmet 

John- J'aukkk A patriotic father 

l.v.vi Livixcsrox Later a colonel 

(JEonr.K PoRTKK Gen. Banks^ aid 

;Mikk O'Fi-akry Color bearer 

a ENKRAL Grant U. S. A. 

(Jexkral Banks U. S. A. 

iiEXKRAL SUKRMAX U. S. A. 

CoiiPoiiAi, Miller U. S. A. 

Private Smith U. S. A. 

("aptaix Fletcukr C. S. A. 

Tai'taix Hill C. S. A. 

.ToHX Wii.sox A Hebel guard 

CoLOXKL Frank Ross A villainous traitor 

!Mrs. Pa«kkr A true'mother 

Flora Parker * A loyal sister 

COSTUMES. 

Pavl Parker — Act I — Civilinns suit. Act 5— Captain's uniform. 
Act 3 — 01(1 man. Act 4, Scene 2 — Major General's uniform. 

Willie Parkkr — Act 1 — Common boy's-suit, knee pants. Acts Z 
and ;'j — Drummer boy's uniform. 

John Parker — Act 1 — Civilian's suit. Act 4, Scene 2 — Blai'^ Uresa 

8Uit. 

LiEUTENAXT Livingstone — Lieutenant's uniform. 

Georoe Porter — Aid's uniform. 

Mike O'Flarky awl Private Smith — Plvates' uniforms. 

Generals Grant, Banks and Sherman — Generals' uniforn 

Captains Fletcher and Hill — Confederate Captans' uniforms. 

John AVilson — Confederate privates' uniform. 

Colonel Frank Ross— Jc{ 1, Scene 1 — Colonel's uniform. Act 
S, Scene 2 and Act 4, Scene 1, C. S. A. General's uniform. 

Mrs. Parker — Act 1 — Afternoon dress. Act 4, Scene 2 — Mourn- 
inj'. 

Flora Parker — Act 1 — Stj'lish dress. Act 4, Scene 2 — Mourning. 



Time in representation — 2 hours 



STA GE DIIiECTIOy.,. 
R., means Rigbt; i... Left; r. h.. Right Hand: i,. h., Left TTand; c. Centre; s. n.; 



B., uic.iiis ii.feMi. 1... ij>.ii, ... .... .>ij.i.< iiMii^i. .,. n., i^iriL iiaiHi, c, >^emre; 3. n.; 

d >.,] Second Entrance: r. k., 1 ppcr Lntrancc; >r. n., ^liddle Door; f., the FhiC 
. >-., iJoor in Flat; k. c, Kitfhtot Cuntre; l. c, Left of Centre. 

B. K. C. c. I,, c. L. 

»% The reader is eupposed to be upon the stage facing the audience. 



TMP96-007278 



THE MUSICAL CAPTAIN: 

OE, 

THE FALL OF VICKSBURG, 

ACT I. 

SCENE I — Parlor tcell furnished — Colonel Eoss seated c. reading 
letter. Paul Parker seated l. reading paper. 

Paul, {looking up from paper) Colonel, have you heard the latest 
aews ? 

Colonel. Do jon refer to the bank robbery which occurred last 
niofht? 

Paul. Xo, no! Far worse than all the bank robberies in the 
world combined. Listen to this and you will soon learn to what I 
refer, (reads) "Fort Sinnpter fired upon. The Rebels under 
General Beanregard open fire from Sullivan's Island at 4 :20 a. na. 
Special from Charleston, S. C, April 13. At 11 p. m. of the 11th, 
General Beaurejrard ao:ain addressed Major Anderson, asking him 
to state at what time he would evacuate Fort Sumpterif unmolested, 
and was answered by the major in person, that he would do so at 
noon on the 15th, should he not receive prior to that time controlling 
instructions or additional supplies from his government. This 
answer was deemed unsatisfactory, and at 3 :20 of the 12th Major 
Anderson was duly notified that tire Mould be opened on Fort 
Sumpter in an hour. Punctual to the appointed moment the roar 
of a mortar was heard from Sullivan's Island quickly followed bj' 
the rushing shriek of a shell, gave notice to the world that the era of 
diplomacy and compromise was ended. Soon the thunder of fifty 
heavy breaching cannon in one grand volley, followed by the crash- 
ing and crumbling of brick, stone and mortar, above and around 
them apprised the little garrison that Iheir stay in those quarters 



if tJ2£ MUSICAL CAPTAT^. 

must necessat'ilv he slioi-t unless speedily relieved 1)y n larger and 
more powerful lloet tlian tlie United States now possesses." This, 
[turning to Ross) Colonel, is the news to whicii 1 refer. 

Col. Tlien to your question 1 shall be obliged to answer both no 
and yes. 

Paul. Wliy t)nth no and yes, Colonel? 

Col. Well, lirst no, because I did not know that the attack had 
been made, and yes, because I knew that it would be and have been 
expecting it every moment for nearly a week, so you see it isj and 
yet it is not news to me. 

Fauh (surprised) You have been expecting it for nearly a week, 
did you say? "Why, Colonel, what do you mean? But of course 
you were joking. But, by the way, Colonel, do you think the 
southerners really intend to make war? 
Col. Yes, I am certain of it. 

Paul. Then I shall enlist with you to-morrow, and help resent 
this gross insult to our dear old Hag and punish the traitors as they 
deserve. 

Col. You are becoming tragical, friend Parker ; but are you 
really in earnest about going with me to the south? 
Paul. Certainly, but why do you ask? 

Col. Because if you really intend to go with me to the south, you 
had better make your preparations at once, as I leave in the morn- 
ing. 

P<iul. Leave in the morning? Why, Colonel, what do you mean? 
Surely you cannot get the regiment ready to start at so short a 
notice, and you would not leave them and go alone, would you? 

Col. Yes, I intend to leave the regiment and go alone unless you 
wish to accompany nie. 
Paul. But why, Colonel ? 

Col. (rises and hands Paul letter) Kead this, it will explain 
sooner than I could. 

Paul, (takes letter — reads quickly) Why, what is this? I do not 
understand. 

Col. Oh, you don't, eh ? Well, it is simply a letter from General 
Beauregard offering me a brigadiers commission in the confederate 
army. Now do you understand? 

Paul, (rising) Yes, now 1 understand; and not only this, but 
you, Fi-ank Ross! 

Col. Is that so? Pray explain! 

Paul. Very well, Frank Ross I From the first day I met you 
until this moment I have always taken you for a gentleman, a man 
of principle and honor, but now I understand and know you for 
what you are — a coward and a traitor to your country. Is thatafull 
enough explanation or shall I go on and tell you what I really 
think of you? 

Col. (angrily) By Heavens, you shall answer to me for this in- 
sult, you Yankee puppy ! 

Paul. I shall be ready to do so at any time. 

Col. As I leave for the South in tiie morning, we c.mnotnow 
meet; but from what you have said I suppose you will enlist, and 
should you do so I can only hope to meet you then, and if I do you 
need expect no mercy at my hands. 

Paul. I shall certainly enlist, and if we meet T shall be ready to 
give you satisfaction then. But to retuni to the present! Frank 
flQSS, Uom this tim« on, we, wljo have been liky brothers, are stran-* 



THE MUSICAL CAPTAIN. S 

gers. (points to door) There is the door, nnd the sooner you are 
through it, the better 1 shall be pleased — and never dare entor it 
again ! 

Col. Yon need not worry abont my dohio; so. This is my last 
time here, and the day you leave lor the south will be your last, for 
I swt'ur you shall never return! (exit, R. 

Paul. So he is gone I It seoms more like a dream than a reality. 
I can hardly make it seem true that Frank Ross, who has since 
childhood, except the three years he was at West Point, been like a 
brother to me, sliould at the tirst niiproach of danger turn traitor; 
but tliat is the way of the world — those whom we think the strongest 
are in reality the weakest. But though the whole world desert and 
i)etray iier, the old flag our ancestors fought and died for on Bunker 
Hill is the only one 1 sliall ever OAvn as my flag until I join the 
ranks of and march under the banner of the Almighty ! 

Enter, Mrs. Parker, r. 

3Irs. Parker. Paul, what is this the servants tell me of Colonel 
Ross V 

Panl. The truth, mother, if they tell you that he has deserted 
the old flag he has pretended to love and joined the ranks of our 
enenn'. 

Jfrs. P. Yes, that is what thej' said, but I would not believe it. 

Paul. No, nor would I, mother, had he not told me so with his 
own lips. But I must now hasten to the major and make his 
cowardly conduct known. (exit, L., followed by Mks. Parker 

SCENE II — Parlor — table c. — sofa n. c. — chairs r. and L. Mrs. 
Paukeu 0)1(1 Patif. seated on sofa — Flora Parker seated R. 
Mr. Paukkk seated l. c, toitli Willie on his lap. 

Mrs. P. Oil, Paul ! will nothing induce jon to give up the idea 
of iroing to this terrible war? 

Paiil. Nothing, mother ; my country needs me and I must go. 

.V)'. Parker. The l)oy is right, Mary, although it is sad. His 
coiMitry needs his nid and he must go. 

Mrs. P. But, John, suppose he should be killed? 

Mr. P. You must not look at it in that light, Mary; look at the 
biiglit side alw:iys. Don't yoifc remember how his grandfathi r, a 
captain in tiie Revolution, used to tal<e him on his knee and tell him 
that some day he would win fame and renown in the service of his 
country? 

Mrs. P. Yes. I remombpr. John, but I never paid much attention 
to what poor old grandpa s;iid ; but always considered it as the work- 
fugs of a feeble and worn out brain. You know he was nearly a 
hundred years old when he died. 

Mr. P. Of course, Mnry, I never put much stress upon what he 
said, either— but that is neither here nor there — the point is, our 
flag has been insulted, and oiu- country is in danger and it is Paul's 
place to lielj) resout the in«u!t and punish the'traitors as thej' de- 
serve. I only wish that I were younger that I might go to. 

Paul. Would you have me play the part of a coward, mother 
and be remembered by those whom I can novv call friends as is 
C'olonel Ross? 

Mrs. P. No, my boy, I would sooner place you in your o-rave 



b TUE Mi Sir J/. CAPTAIN. 

with my own hands than see j'ou in that man's place, {crying) But 
oh, if you should be killed ! 

Flora. There, niotlier dear, do not cry I Tour trouble is but 
slight in comparison to others. Think of poor Mrs. Wells whose 
husband and live boys are all goin<r, leaving her alone, witli no one 
to comfort her, while you will always have father, Willie and 1 lo 
comfort you. 

Willie, {coming forward) Xo, Flora, she will have father and 
you ; but if Paul goes to Avar, I go to. 

Mr. F. No, no, Willie I Papa could not spare his little drum- 
mer. 

Funl. Father, I have promised Willie that if I go to Avar I will 
take him Avith me; and as Mr. Wells Avill take him into the band 
and see that no harm comes to him, I think jou had better let him 

go. 

Mrs. P. {crossing stage) Oh, Avhy are thcj'' not content Avith 
taking our husbands and grown up sons';:" Must they rob the 
cradle too? 

Flora, (going to, her mother and putting arm around her) Hush, 
mother, do not excite yourself I [softlij) \l*i AviJl be perfectlj' safe 
in the keeping of Mr. VV'ells, and it is not at; all likely that he Avill 
Btav a week before he Avill be homesiok and return hon»e where he 
Avill cA'er after be content to remain. 

Mrs. F, Well, if so you have decided I shall saA' no more against 
it; but why can't Ave live in peace? Think of the homes that must; 
be broken up, of the avIacs and mothers Avho will lose all that in this 
world they prize most dear, and of the noble lives that must be 
sacrificed simply because the leaders of two political parties cannot 
agree. But now tliat it has gone this far and war has been declared, 
sooner than see mv boys play the parts of cowards, or far Avorse, 
that of traitors. I Avould see them in their graAa»s. But now that 
they have decided as they liave, I simply giAn them into the keeping 
of their HeaA^enly Father, and should he see fit to call them home I 
shall simply say "God's Avill be done." And now my prayer is — God 
protect the stars and stripes, and the noble men wiio fight for its 
cause I {song — '"titar Spangled Fanner" 

END OF ACT I. 

CURTAIN. 
ACT II. 



7. S. cam;} — soldiers seated in groups planing cards — 
—Captain Pakker seated l., reading — Lieut. Living- 



SCENE I— II 
table L. c 
STON scaled i\ 

Lieutenant. Well, captain, here Ave have been encamped near!}' a 
month and not a gun fired yet I I am getting tired of this kind of 
Avarfare and Avould like to get into action. 

Find. {v:ho is rending paper) Such conduct as this Avould make 
anv honest man Avisli to get into action. 

Lieut. What is it, captain? 

Paul. Listen to this and jiulge for yourself I (rejids) "Stolly 
Springs reduced by Van Horns' cavalry I Damage at lea*t it;4, 000.- 
000 1 Oxford, December "Jlst. — The rebels lor some time bacic haA-e 



THE MUSICAL CAPTAIX. 7 

been prepariiifj for an assault upou Holly Springs, and on the eve- 
ning of the 19iii had everything in readiness to malvc it; but were 
di.-eovercd by one of Grant's scouts wlio ininiediately reported it to 
Grant, wlio in turn warned Col. R. L. Murr}' then in command, 
lie did not imagine his capture a possibility, but no preparations 
liad been made for resistance. At daybreak of the 20th, Van Horn 
burst into tiie town with his wild cavalry, captured the traitorous 
wretch who should have defended it, and burned all but the little 
plunder his men were able to carry off, including a hospital full of 
our sick and wounded which his adjutant had promised to spare. 
Our cavalry (2nd Illinois) refused to surrender and cut their way 
out by a resolute charge in whicli they lost but seven men. Murry 
filled up the measure of his infamy by accepting paroles with his 
men so as to prevent their recapture and save the enemy the trouble 
of guarding them. Murry, it need hardly be added, was dismissed 
from the service by a stinging order from Gen. Grant, said order to 
take effect from the 20th, the daj' of his cowardly and disgraceful 
conduct." 

Licnl. 'J'he traitor I Tliey ought to have hung him. That ex- 
phuns the heavy firing we heard to the north yesterday. I tliought 
tli:it it w;is nenr the Springs, but never dreamed of their capture. 

J'aul. Xor I ! But I say, Lieutenant, 1 wish they would send us 
into action. 1 am lic.irtilj' tired of being a soldier and never firing 
a gun vv seeing a fi^lit. I wish we had been stationed at the 
Springs. I think V;in Horn would have met with a little more 
opposiiion than he did. 

Lij'tit. So do 1, Captain I I don't believe I would ever surrender. 
I inimirc the courage of the 2nd Illinois, who in spite of Murray's 
coniiuands, were bound to win or die. (soldiers stop playimj cards 

PriditP. Srititli. I say, Ciiptain, give us one of your songs to liven 
us up a Hi tie. We have played curds until we are tired of them and 
wouid like some music for a change, wouldn't we, boys? 

{tnrninf/ to the rest 

Owncs. Ye«, yesi give us a song! 

Paul. AVell, Smith, I do Ijclieve you missed your calling; you 
should have been a musician instead of a s<ddier. But if one of my 
]»oor songs will do you anv good, you shall have it. What will it 
beV 

.Smith. Just before the battle. 

Paul. Very well I 

Sivfi. ''Just Before the Battle''— Just before he finishes the chorus for 
the last verse hcamj jlriruj is heard, R. — in rush federal pickets,'-R., 
still firing back — federals all spring up and get arms. 

Paul. Boj-s, the enemy 5s upon us! Sell your lives as dear as 
possible I Onore firing, r. 

Enter, Corporal Miller, r. 

— How largo a force i> it, Corporal? 

Ctirporal Miiler. It is Van Horn's unmounted cavalry on their 
return from the north. 

/'(/((/. Comrades, your first fight is before you. We are few in 
nundx'r compared to them. Ueinember, every shot must tell! Xow 
if any one otyou wish to turn back you may do so now. 

tSmith. Captain, we will stick to the old ilag till we win or die! 



THE j/r.:/.;'j.: captain. 



Paul. Very well, my brave boys I Here they come — let's give 
them a warm reception ! 

Enter, Behels, v..,firinrj — Feden-als then fonrard, driving Itebels hack* 
R. — firing J rom both sides — Federals fall back — Paul siirgs chorus 
of *•' lially Bound the Flag'^ — Federals rally and drive licbels off 
11. — Paul falls xconnded 

Mike 0^ Flarry. (vmves banner) ITiirrali, there, boj's shoive the 
blaguards into the river — they'll make illeo;ant fade for tlie tish! 

Lieut, (rrho is kneeling beside Taui.) Follow the Irishman's ad- 
vice, boys, drive them into tlie river, and let tlieui see that although 
this is our first fight, we are the victors. 

Exit, soldiers r. — several have fallen, vioundtid — Lfkutenant raises 
Paul, who sings ^'Just After tlie Battle." 

SCENE II— Office — Grant's headquarters — table, J., c— Gf.xkral 
Grant seated ate. — Gknkrals Sukkman and Banks at J..and R. 
examining maps — three aids seated buck of Generals. 

Gen. Grant. I tell yon, gentlemen, unless wo capture Vicksburg, 
and that soon — it will make us trouble. With it in tlieir possession, 
the Kebels control the Mississippi, as you miglit say, troni beginning 
to end. 

Gen. Sherman. I know it, Grant, but with it in our possession 
could we not control the same amount of territory ':* 

Gen. G. Certainly.' and if we knew liow strong and in what way 
it was fortified it would he an easy matter to reduce it; but as it is 
we can't tell whero to strike to accomplish anything. 

Gen. JJunks. AVliy don't you send a si)y and find out? 

Gen. G. Send a spy into Vicksburg, the greatest stronghold of 
the Confederacy? 1 hardly think we could find a man brave enough 
for such a task ! 

Gen. B. 1 admit. General, that there are not many men who 
would care to risk their lives in Vicksburg; but I tldnk 1 iiave one 
man in my command who would go, should j'ou request him to 
do so. 

Gen. G. AVhere is the niai^, Ranks? 

Gen. B. In tins city, lie was wounded at Castle Point and has 
since been in the ho<i)ital, but is well now and intended to rejoin 
his conij)any to-morrow; but if you wish 1 will send for him. 

Gen. G. Send for him, by all menus! and if lie proves as brave 
as you recommend, and succeeds in his visit to Vicksburg, he will 
not need to return to his company. 

Gen. B. Very well. General, 1 will send for him at once, (takes 
pvper and icriles) Jlere, (turns to aid) Porter, take this to tlie 
hospital at once, and see that it is forwarded without delay. 

(aid takes papi-r, saltite.s^ and exit, R. 

Gen. G. IIow did you come to hear of this man, IJanks? 

Gm. n. He was first brought to my notice through tlie reports 
of the battle in which he was wounded. In speaking of liim it wns 
always as the musical captain, and when he came here to the hos- 
pital, I goi ;if(juainted with him and found that he was a musician, 
and that when his men Mere homesick or blue he sang them back to 



THE MUSICAL CAPTAIN. 9 

good humor. But you must li.ive heard of him, Grant! He is the 
one who, wheu the Rebels wore routinj^ liis men and had almost 
won tlie fislit, sang, "Rallj^ Kound the Flag," and his men did 
rally, (hiving the Kcbels into the river, and drowning nearly all 
that c'scaped'the ball and bayonet, and thus completely demolishing 
Van lloin's cav.'ilry. You must remember him. General. Why, 
the Confederate as well as oiu- own i)apers, were lull of his praise. 

Gen. G. Yes, yes! I rcimember him now, certainly ! {looking 
K.) But here comes the Captain now, and we shall soon see how his 
bravery will stand the test. 

Enler, Aid r.., followed by VwL—both salute. 

Aid. (announces) Captain Parker! {aid retires 

Paul. General, von sent for me? 

Gen. B. I did. 'General Grant wishes to have a short conversa- 
tion with you. 

Gen. G. Yes! Be seated. Captain. (Paul takes chair and sits 
hal/facinr/ audience) Captain, wtf are in need of a man to do a very 
important and dangerous piece of business; and not knowing of any 
one whom I could trust. General Banks recommended you. Now 
do you think you could undertake it? 

j'avl. 1 will undertake anything for my country, as long as It Is 
honorable. 

Gen. G. That is no1)ly said, Captain; but think Avcll of the dan- 
ger before you decide. AVc want no man to go who is afraid. 

Panl. I am not afrai<l. and as I said before— I am willing to go 
where duty calls me. AV'hei'c is it you wish me to go? 

Gen. G. Well, (japtain, we want you to go as a spy into Vick?- 
bnrg and find out how stronsr and in what wav she is fortified, and 
in fact, all ili(! usefu] inforniation you can. You may go now and 
re[)orL in the morning whether you are still willing or not to go, and 
think well of the danger before you decide. liemember it is only a 
a matter of choice — you are not compelled to go. 

Paul. 1 do not need to wait till morning to decide, General, and 
as it would waste valnal)le time by so doing, I will report now that 
I am still willing to go, and, with your consent and good wishes, I 
shall start to-morrow for Vicksburg. 

G<'n. G. Very well, Captain I you not only have my consent and 
good wisiies, but also tliosi; of the whole nation. Now I will ar- 
range everytliiu'T to-night so that you will not ne(Hl to come here 
.again — coming so often before your departure might excite sus- 
picion, which we nuist avoid. And as 1 may not see you before you 
go, I will now wish you gool luck and God speed on your perilous 
journey. (all rise and shake hands 

ACT in. 

SCENE I — IF'/O'/.s — U. S. Camp at ninht — soldi fvs aftieep — Lieut. 
LiviNMiSKtx scaled L., readimj — Coi!Poual Miller u. c, writ- 

iii'j — Guard at back. 

Lieut. Cori)oral, have you put out a good guard to-night? Yon 
know we are now in a hostile country anil must begin to look pretty 
■well to the guards. 

Miller. Yes, the guards are all right, Lieutenant; have no fear 



10 TEE ^'^rsiCAL CAPTAIN, 

of them, (seals 7ip letter) And now that I have finished my writ- 
ino;, I think I will turn in. {lies down 

Lieut. Yes, I am tired myself to-night. We had a long and 
dusty march to-day and as we have a still longer one to make to- 
morrow wliich will bring us in sight of Vicksburg, I guess I will 
follow your example. 

{lies down — guard paces four or five times across stage 

Enter, Captain Fletcher r., with dratvn revolver, as guard faces z,, 
follows guard across to h. and as guard faces R., Fletcher points 
revolver at him. 

Captain Fletcher. One word and yon are a dead man ! 

Willie, {aivakens— softly) I am sure I heard voices, {rises to a 
half sitting position) Yes, a Ilebel has overpowered the guard — 
there are probably more of them not far away, and I must warn the 
boys before it is too late ! {beats drum— shouts) Comrades, awake I 
the Rebels are upon us! 

Fletcher. Curse you— take that! 

Shoots — Willie falls — Federals spring to feet— in rush liehels, r., 
firing — exit. Federals, \.., followed by Rebels — several Federals fall 
wounded— two or three Bebels stay and plunder tooundtd 

SCENE II— Street Scene. 

Enter, Paul, l., disguised as an old man. 

Paul, (speaks in natural voice) Well, here I am in the Rebel 
stronghold, whether I ever get out or not I Yes, here I have been 
for nearly a week and to-day sent back my Hrst reports, which are 
enough in themselves to onal)le Grant to enter Vicksburg; but yet 
not enough to warrant my returning. And I have learned another 
thing since my arrival .and tliat is, that the General Ross in com- 
m;ni(l here is no otli.-r than Frank Ross, my once best friend and 
college chum, but now my most bated enemy, which makes it more 
dangerous for me— for he would detect me, should I for one moment 
forget myself and drop my disguise, or speak in my natural voice; 
but 1 hardly tlunk ho will recognize me in this disguise. And after 
all, 1 am glad that be is here; it makes victory worth more tome. 
Ycsl 'J'o see that villain brought to Justice— as he certainly will be if 
A succeed — would be the happiest momeut of my life, and with 
God's help I cannot fall! (exit, R. 

SCENE III — Woods — Pebel camp — soldiers playing cards, etc. — 
General Ross seated at table l. c. — guard at buck. 

General 7?n.<!s. I cannot forget the battle of Castle Point, the 
place where Van TTonTs cavalry was so badly demolished. The re- 
l)orts said that Van Horn had nearlv won "the light — the Yankees 
had broken and started to lice, when Paul Parker, the musical cap- 
tain, began singing "Rally Jfound the Flag" and that it so inspired 
hits men with courage that tliey rallied, driviti'jc Van Horn into the 
river killing nearly everv man. X'ow that I'anl Parker is no other 
than my once best (rieiid and college cbnni ; but now — i'ur<c him! 
my most hated enemy! Yes, F would gladly give up my commis- 
sion and return to the ranks, for the satisfaction of having him in 
my i)ower! But I never expect to do so, as he was mortally 
Wounded at Castle Point, and 1 have heard notliiui: of him since. 



THE MUSICAL CAPTAIK. 11 

Paul heard vithout, singing — starts to enter, L. 

Wilson. Halt! (points gun at him 

Paul, {hadhj scared) D-d-don't point that thing at me — it — it- 
it iiii'iht g-g-.2;o off I 

Wilson, (still points gun) Have you a pass? 

Faiil. Say, boss, jii.«t put up ycr tooth pick extractor, and then I 
caiit:ili<! It hurts my e,ves up thero I {guard loroers gxui) There, 
that's better I Now I like your Avays; but wliat did you stop me 
for anyway? Was you tryin' ter scare me? Well, if you was, you'd 
orter knowed better than ter try and scare one of Stonewall Jack- 
son's men. I ain't afraid of a whole regiment of them there things ! 
[points to gun) Why, once — 

Tiot>s. {turns around) What's the fuss back there? 

Wilson. Here's an old man who Avants to come in, and has no 
pass. 

Boss. Well, let him in I I guess he'll not do any hurt. 

Wilson. All right I Go on in, old man — 1 Avon't hurt you. 

{steps back 

Paul. Hurt yon ? Xo, I won't hurt yon now that you have put 
that tiling up, {points to gun) and got out of my Avay; but if you 
hadn't, by tiie holy poAver of Sampson and the bull head luck of 
Stonewall Jackson, I'd broke every bone in your body! 

{walks over toicard Koss — guard resumes pacing 

Boss. AVell, old man, Avhnt do you Avant, anyway ? 

Paul. Oil, nothing perlicular ! Just thought I'd come in and 
see tlie boys. 

Po>^s, Thai's right! But, I say, Avas that you singing out there 
a while ago? 

Paul. Yes, sir; guess 'twas! 

Ji'oss. You are quite a singer, ain't you ? 

Paul. Well, I u^ed to be;' but I lost my voice and I don't sing 
mu"h since. 

Pnss. That is sad. Hoav did it happen? 

Paul. AVell, you see it was while 1 was with old Stonew ;.'.l, be- 
fore I was Mouiuled and came home. It Avas on one cold windy 
night, and rather late when 1 went to bed. Y^ou see, 1 had been on 
commissary's guard and, of course, slept very sound, and did not 
notice it; but a large tree blew down, falling right through my tent 
and acros- my bed. I, of course caught cold and lost my voice. 

Boss. AVhy, man, it's a Avonder you did not lose your life! 

Paul. Thai's Avliat I thought; but when I told the boys about it 
the next day they laughed and said there was no danger at all. 

Boss. Why, how was that? 

Paul. The tree blcAV down about three hours before I Avent to 
bed. 

Boss. Well, you sing some yet, do you not? 

Paul. Y"es, some. 

Boss. AVell, give us a song, won't you? 

Paul. I'll try! What'll you have? 

Boss. "Tenting on tlie Old Camp Ground." 

Paid. Will you all help me in the chorus? 

Boss. Yes. 

Paul. Very Avell, then! 
(Sing's ''Tenting on the Old Camp Ground"— let just enough join in 
the chorus to make it sound well 



US THE MUSICAL CAI'TAIN. 

lioss. That's good! (turns to men) Boys, lot's liave a jrame of 
pedro! (sits doion — starts to play 

Captain Hill, (rises and crosses over to Ross — softly) General, x 
am Sony to alarm you — but I believe tbat man is a si)y ! 

lioss. What makes you think so, Hill? 

Jlill. You know I was with Van Horn on his last raid, and am 
one of the few survivors of that terrible day at Castle Point, and I 
am willing to stake my life tlint the voice we just hoard in "Tent- 
ing on the Old Camp Ground," is the same one that so inspired the 
Federals at Castle Point, in "Kally Round the Flag," In fact, I 
believe he is the musical captain himself I 

lioss. (rising) Hill, you must be mistaken ! The musical cap- 
tain was mortally wounded that day at Castle Point. 

Hill. Yes, that was the report, but it is not true! I would know 
that voice among a thousand ! 

lioss. Well, we shall soon see, and if you are right, promotion 
awaits j^ou ! (turns to Paul) See here a moment, old man ! J 
Avish to s])eak to you ! 

Pmtl. (rises and faces Ross) What'll you have. General? 

Jioss. (gazes steadily at him) Yes, 1 am certain 1 have seen those 
features before, (snatches off Fax: l's beard — steps back) Paul Par- 
ker, what are j'ou doing here? 

Paul. My duty! 

lioss. Your duty! Yes, and I will soon be doing my dutj' when' 
I hang you to yonder tree, (pointing, n.) as a Yankee spy ! But 
no! hanging is too good for such as you I Yes, you shall be tor- 
tured to death, inch bv inch, as you deserve! Oh, how I have 
longed for this hour! Yes, 'tis worth half my life — this one single 
hour of revenge I (turns to guard) Guard, take this man out and 
put him in double irons, and I shall hold you responsible for his 
safe keeping, {guard advances, lays hand on Paul's shoulder) Paul 
Parker, things li.-ive changed since we last met; then it was your 
turn — now it is mine ! Do jou remember of my telling you that if 
we met, }'ou need expect no mercy at my hands? 

Fuul. 1 ask no mercy at your hands, Frank Ross! Naj', I defy 
you I Now go ahead and do your worst! 

Guard. Come! (guard and fAHL exit, R. 

lioss. At last it is in my ])Ower to repay him, word for word, and 
blow for blow; and you maj- rest assured 1 shall not forbear to use 
that power. 



ACT IV. 

SCENE I — Prison — five or six soldiers lie around in different peaces, 
Paul sitting on floor at h. 

Paul. Oh, will this misery never end? Can it be tb.at they cap- 
tured the nogro by whom 1 sent my re|)ort and that (Tonoral Giant 
has never received it? It must be or surely they would have 
made some move by this time. 

Enter, Gexekal Ross, L. 



THE MUSICAL CAPTATy. tS 

Unss. So yon are tilive yet! Curse you I And mumbling to 
yourself as nsual ! You have been a prisoner here forever a month, 
and every time I come near you, yon are always mumbling some 
thing, Wiiat do you find to talk about anyway? 

Paul, (risl)i(j) Tliat is none of your business, Frank Ross! You 
may keep my body a prisoner, but my mind is free to wander 
wliere it cliooses, and not even you, witli all your imagined pomp 
and greatness can stop it. 

Moss. Confound j-on I How dare you talk to me in tliat way? 

Paiil. Why should I not dare to talk as I please to a coward, a 
robber and a traitor to his country : 

Poss. (_draws revolver) Tell me what you mean or, by Heavens, 
you die ! 

Paul. I mean simply what I said, and you prove my words, by 
your actions. First, a coward — by threatening a sick and unarmed 
man with a revolver; second, by robbing the bank at home the night 
before you left to come here. (jn-isoners all rise and step l. c. 

Enter, Livingston and U. S. Army, l., softly, and form half circle 
from c. to L. — Livingston in c.,just back o/Ross. 

— And last, but not least, a traitor to your country by being here, 
an officer in the Rebel army. 

Poss. Curse you! Y^ou Yankee puppy, you shall pay dearly for 
this insult! Aye, (pointing revolver at him) you shall pay for it 
with your life ! 

Paul. Ver3'^well! Tiiere, {touches heart) is the heart of an 
honest man — now shoot if you wish! 

Ross starts to shoot— hiKvr. Livingston springs forward and knocks 
revolver from his hand. 

Lieut. Coward! Would you slioot a sick and helpless prisoner? 

Poss. (turns angrily to hiin) What does this mean? 

Lieut, it means that VicUsburg, the Rebel stronghold, has fallen- 
and that you are my prisoner. (]\[illek hands Paul sioord 

Poss. (making dash at Lieutenant icith sicord) I'll never be 
taken ! (two or three soldiers step in front o/Ross and lower guns 

Paul. Hold, men, do not slnwt! (Ross /aces him) Frank Ross, 
when I drove you from my door, nearly two years ago, you claimed 
that 1 in-ulted you, and s;iid that if we ever met in the South, you 
should dem:ind satisfaction — and now, as there is nothing to hinder, 
perliaps you are read)'^ to do so? 

Poss. Yes, I a:n ready and will take your life as I would that of 
a dog! 

Ross makes a dash at Paul roith sword, but is met by Paul, who 
has until then kept his sword concealed behind him — they fight a 
duel — B.oss falls c. — Paul places foot on lus breast. 

Paul, Behold the Rebels' doom ! 



^^ THE MUSICAL CAPTAIK. 

SCENE II— Parlor— table c. on which lies "Willie's drum, draped 
in mourning. 

Mr. and Mhs. Parkku discovered seated R. of table — Flora and 
Paul seated i.., in half circle. 

Mrs, P. At last tliis terrible war is over, and we can once mor® 
live in peace. But think of tlie noble lives that have been sacrificed 
and among them, tliat of our little AVillie. Tiiere (pointing to drum) 
is the little drum he carried through so many terrible battles; but 
which, :ila>I he will carry no more, for he has gone toahome where 
earthly toys are not needed and earthly joys are forgotten, {crying^ 

Paul. There, mother, dry your eyes. 1 know it is sad; but it 
will do you no good to cry. And now, before 1 return to the city 
to resume my duties as a major general in the regular army, let us 
sing that beautiful song Mr. Root has so kindly written on little 
Willie's death. ; 

All si7ig "We Shall Meet But We Shall Miss Him" or "The Vacant 

Chair." 

THK END. 
.JRTAIN. 



POPULAR 



lusic. 



A Health to Our Hostess. 



A Male Quartette. Words hy W. H. Spangler, Jr. / mu- 
sic hy F. O. Wilson. This quartette is sure to jplease 
all who order it. Can le sung in costume, or used for 
a concert piece. Price Ifi cents. 

-: Dere Vas Ein Leedle Deitcher Gal. :- 

A capital Dutch song for male voices. Words ly W. H. 
Spangler^ Jr. ; music hy F. O. Wilson. Can he used 
as a solo, or solo and chorus. Price 30 cents. 

My NameVasHenrich Hans. 

A roaring Dutch song hy the above authors / and is oj 
moderate difficulty. Price 30 cents. 

Here You Behold Us. 

Male Quartette hy the above authors. Still another of the 
excellent pieces written hy tliese popular authors. Price 
Jfi cents. 

We are Jolly Fellows. 

Quartette for male voices hy the above authors. Not diffi- 
cidtjbut to ill please all who purchase it. Price 30 centa. 

That Little Black Mustache. 

Comic song and chorus by James M. Dow. Very taking 
and a great success. Price 30 cents. 

Fayette Waltz. 

For piano or organ hy Will Reynolds. Fasy and very 
pretty. Price ^5 cents. 

Wait for the Turn of the Tide. 

Arranged as a quartette hy Will Peynolds. Very suitable 
for exhibitions, as it is easy and the same time very 
phasing^ P'^if'A 30 cents. 



Si 



i^- New Plays. -^ — ^ 

Following aro tho Plays rooontly added to tlio list of 
Amos' Series of Standard and Minor Drama. 



I^ri T L-Llw 



THE BEGGAR GIRL. 



A Romantic Melo-Dra:na, in Three Acts, by W. A. Sieg- 
fried. It is Avritten for 9 characters — G males and 
3 females. Following is the 



SYNOPSIS. 



ACT T. T/nulcMi P:iik, Vii-frinia — Slipp in trouble — Jarrel and 
Leon — war to the knife — May Stanton — Jarrel's Curse — "I will live 
a life of misery ami sliame for 1113' reventre." — Murder — "My re- 
venjrel" Elapse of ten years between Acts 1 and II. 




and Hijlitning — ''A storm, 1 reckon I" — Stricken blind — Harold 
Stanton — "My child I" — The wages of sin— Phyllis happy. 

Price 15 Cents. 



•"""'^'" ■'■'■■ 



The Wonderful Telephone. 

An original Farce in one act, and is written for four 
«^haracters — 3 males and 1 female. Dramatic companies 
wanting a good after-piece, Avill find in this something 
entirely new and original. The piece has a good negio 
and Irishman, and will entertain an audience nicely for 
thirty minutes. Price 15 Cents. 



gj 1^ 

iimBs' Plays — CantinuBii. 



65 
31 
21 

123 
2(1 

175 

80 



19 

42 
LSS 
220 
US 
218 
2-il 
Zi3 
1.4 
184 
2(J!) 
l;l 
6(i 
116 
120 
103 

50 
141) 
74 

a5 

47 
95 
11 

(111 

182 
127 
228 
llXi 
139 
2.51 
2:« 

1)9 

1 

158 

23 
208 
212 

32 
186 

4-1 
244 

:« 
246 

57 
217 
1(m 
195 
2.58 



Bl. 



FARCES CONTINUED. 

An Unwelcome Return 3 1 

A Pet of the Public 4 2 

A Koumntic AtUichment 3 3 

A Thrilling Item 3 1 

A Ticket of Leave 3 2 

Betsey Baker 2 2 

Better Half 5 2 

Black vs. White 4 2 

CaiJtain Smith ^ 3 3 

Cheek Will Win 3 

Cupi.is Capers 4 4 

Der Two Suri)ri8e8 I 1 

Deuce in in lliin 5 1 

Dill 1 Dream it 4 3 

Diimesiic Felicity 1 1 

Dutch Prize Finhtor 3 

Itiitchy vs. NisKPr 3 

Eh? W at Did You Say 3 1 

Everybody Astonisiied 4 

Fooling with the Wronjf Man 2 1 

Freezing a Mother-iii-Law... 2 1 

Fun in a Post Ofliee 4 2 

Family J^isciiiline 1 

(Joose with the liolden Egg:).. 5 3 

Give Me Mv Wife 3 3 

Han-, the Dutch J. P 3 1 

Hash 4 2 

H. M^S. Plum 1 1 

How Sister Paxey got hor 

Child B.iptiz d 2 1 

How Slie has Own Way 1 3 

How lie I'opped the Quest'n. 1 1 

How 1 1 Tame AI-in-Law 4 2 

How Stout Your (letting 5 2 

In the Wrong Box 3 

In the Wrong Clothes 5 3 

John Smith 5 3 

.luiiil)o .luin _ 4 3 

Killnsr Tune 1 1 

Kittie's Wedding Cake....- 1 3 

Li<'k SkilK't Wedding 2 2 

Liiuderbach's Little Surprise 3 

Lodginjis f(jr Two 3 U 

Matrimonial Bliss 1 1 

Match for a Mother-in-Law.. 2 2 

More Blunders than one 4 3 

iMother's Fool 6 1 

Mr. and Mrs. Pringle 7 4 

Mr. Ihulson's Tiger Hunt 1 1 

My Heart's in Highlands 4 3 

'y Precious Betsej' 4 4 

My Turn Next 4 3 

M Wife's Relations 4 4 

My Day and Now-a-Days 1 

Obedience 1 2 

Old I lothes 3 (I 

On the Sly 3 2 

Ot:ieilo 4 1 

I'addy Miles' Bo.v 5 2 

Paten Wiuihing Machine 4 1 

Persecuted Dutchman 6 3 

Poor Pilicody 2 3 

Prof.Bones'Latest Invention 5 



NO. 

1.59 
171 
180 

48 
138 
115 

55 
243 
232 
2:j8 
137 

40 
24.5 

38 
131 
101 
167 

68 

.54 
2.);^ 

28 
142 
213 
1.51 
5 

.56 
•70 

l;is 

147 
1&) 

111 
157 

204 
15 
172 
98 
222 
214 
14.5 
190 
249 
27 
2.30 
1.53 
'H 
2;}6 
247 
77 
88 
25(5 
128 
259 
90 
61 
2'M 
1.50 
109 

in 

177 
96 
107 



Quiet Family „ 4 4 

Rough Diamond 4 3 

Ripples _ „ 2 

Schiiaps _ „ 1 1 

Sewing Ciixjle of Period. _ 5 

S. H. A. M. Pinafore 3 3 

Somebody's Nobody - 8 2 

Sports on a Lark 3 

Stage Struck I'ankee 4 2 

Strawberry Shortcake- 2 9 

Taking the Census 1 1 

Thit Mysterious B'dio 2 2 

Ticket Taker 3 

Tlie Bewitched Closet...- 5 2 

The Cigarette 4 2 

The Coming Man - 3 1 

Turn Him Out _ 3 2 

The Sham Professor - 4 

The Two T. J's 4 2 

The Best Cure 4 1 

I hirty-three Next Birthday.. 4 2 

Tit for Tat _ 2 1 

V^erniont Wool Dealer 5 3 

Wanted a Husband 2 1 

W'hen W^omen Weep 3 2 

Wooing Under Difficulties 5 3 

AVhich will he Marry 2 8 

Widower's Trials - 4 5 

Wakirg Him Up „ 1 2 

Why they Joined the Re- 
beccas 4 

Y'ankeo Duelist '3 1 

I'ankee Peddler 7 3 

ETHIOPIAN FARCES, 

Academy of Stars 6 

An Unhappy Pair „ 1 1 

Black Shoemaker 4 2 

Black Statue 4 2 

Colored Senators 3 

Chops _ 3 

Cuff's Luck 2 1 

Crimps Trip „„ 5 

Double Election 9 1 

Fetter Lane to Gravesend 2 

Hamlet the Dainty 6 1 

Haunted House 2 

Handy Andy 2 

Hypochondriac The 2 

Incomi)atibility of Temper... 1 2 

Joe's Vis t 2 1 

Mischievous Nigger -. 4 2 

Midnight Colic 2 1 

Musical Diirkey 2 

Nobody's Moke « 5 2 

No Cure No Pay 3 1 

Not as De.af as He Seems 3 

Old Dad's Cabin 2 1 

OldPompey 1 1 

Other People's Children 3 2 

Pomp'^ Pranks _ 2 Q 

Quarrel-ome Servants 3 

Rooms to Let — 2 1 

School - 5 



Jt 



LIBRARY OF CONGRESS 



9^ 



016 215 154 A 



iimBs' Plays — LiDntinuGd, 



NO. M. F. 

ETHIOPIAN PARCE3-C0NTUED. 

133 SeeingBostlng — — 3 

179 Sham Dootor -...>. 3 3 

:-»4 lt),(KW Years Ago _ 3 

25 Sport with a Snortstuan 2 

92 Stage Struck Darkey 2 1 

241 Struck by Lightnmg 2 2 

10 Stocks Up, Stocks Down 2 

W That Boy Sam 3 1 

2.i2 That Awful Carpet Bag 3 3 

122 The Select School.. - 5 

118 The Poiworn Man 3 1 

6 The Studio > — 3 

108 Those Awful Boys - 5 

4 Twain's Dodging -__.. 3 

197 Tricks — 5 

198 Uncle Jeff 5 

170 U. S. Mail 2 



216 Vice Versa 3 



206 Villkens and Dinah 4 1 

210 Virginia Mummy 6 1 

2(t3 Who Stole the Chickens 1 1 

205 William Tell 4 

15() Wig-Maker a?)d His Sorvanto 3 

GUIDE BOOKS. 

17 Hints on Elocution 

VM Hints to Amateurs 

CANTATA. 

215 On to Victory ^ 4 6 

TABLSAUX. 

250 Festival of Days 

PANTOMIME. 
260 Cousin John's Album 



MAKE YOUR OWN WIGS! 



.j-o^oo.;. 



PREPARED WOOL. 

PREPARED WOOL IS AN- ARTICLE THAT EVERY ONE, 

WITHOUT ANY EXPERIENCE, CAN 

MAKE INTO 

WIGS! 

BEARDS! 

MUSTACHES ! 



ETC., ETC. 



AT VERY LITTLE COST, AND WILL BE SURE TO 
GIVE SATISFACTION. 

-r»»^ PRICE 50 CENTS PER OUNCE, i^'-^ 

Address, 

AMES' PUBLISHING CO., 

LOCK BOX 16S. CLYDE, OHIO 

3i S 



LIBRftRY OF CONGRESS 



016 215 154 fi 



